Continuing Education

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On my Twitter page, it says I am an insatiable student. I do feel this is an accurate depiction of myself. Every day I hope to learn something new about my chosen profession or my passions (hobbies). Photography is no exception. I try to attend SMUG get togethers when I can, I have attended two sessions by David Tejada, and a workshop by Sandy Puc. It is important to me to keep learning more as I refine my craft and find my real niche in the photography world.

To that end, Thursday I will be attending a seminar by Peter Read Miller. He is a noted sports photographer, with multiple covers to his credit for the big magazines. I feel really comfortable on a youth baseball or softball field, but I want to see what he sees, and learn how he has gone about doing what he does. I am really excited about it. It is being hosted by Working With Artists, a local arts facility in Belmar, here in Lakewood, Colorado. Becoming a member of this group was a nominal fee above the seminar fee, so I went ahead and joined. One side benefit is that I now have access to very affordable studio space. I need to get in there and learn how to use a few things, but that is another extension of the learning process.

I never tire of learning. I want to be the best I can at what I do, and the only way to get there is to keep learning, on my own and with the help of others. I owe it to my clients, but more importantly, I owe it to myself.

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Olympus Digital Zuiko 50mm f2

Brick and mortar (by Chester Bullock)

Been ordering some new gear, and yesterday my new Olympus Zuiko 50mm f2 lens arrived. I didn’t have much time to play with it yesterday, but I did take a couple of photos. This is not by any means an exhaustive writeup or review, I need to use it more first. Immediate reaction though: WOW. This thing is crazy fast. Can’t wait to try it on my E-30 when it arrives next week. And I especially can’t wait to try it with my EX-25 for some serious macro work. I love this thing already.

And of course, I had to try a candid portrait with it. I need to work on this a little more, but I like it alot.
Crazy Daughter (by Chester Bullock)

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Getting Into Stock Photography?

Autumn colors in Colorado

Only one thing seems to generate a livelier debate in the photography world than Canon versus Nikon – stock photography. Magazines and blogs are rife with material talking about the evils of microstock, the difficulties of getting proper rights managed sales, and people wondering what the problem is. It has indeed become a world where anyone with a good camera can contribute, but it doesn’t appear a lot of people are making any money at it.

When I finally decided to get serious about photography a couple years ago, I thought I could make a go of being a stock photographer. Then I had a wake up call. I submitted several images that i thought had real potential, only to be rejected for what seemed like various and random reasons. Indeed, some of the stock photo companies seem to have so many reviewers working. As a result, the subjective part of what gets accepted and what doesn’t feels very disjointed and random. Ultimately, I did have some submissions accepted. I have even had a few sales (the sum total has amounted to about $3.50).

The bottom line is that, for me anyhow, stock photography was not all I thought it could be. Sure, there are success stories out there. But as with other parts of photography, there are a few well known success stories sprinkled in among the majority of people who have had little success. What made me write about this today? I was reading a copy of Photoshop User last weekend, and a nice parody of the concept of stock photography was presented. Earlier in the morning, there was a Denver Post article talking about how Colorado is pursuing the license rights as a taxable item. My hat is off to the photographer mentioned, Dan Coffey of Edwards. He has enough money coming in from stock photography to have a significant tax problem if the state can come after that income source. But he is one of the few. If you are thinking about getting into the stock photography game, think long and hard about it, and look at your images with a very critical eye.

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Why I want an Olympus E-30 DSLR

Olympus E-30 DSLR

In the DSLR world, most people think that there are just two brands – Canon and Nikon. They find it quite easy to forget about the other players in the market – Sony, Pentax, Olympus and others. I have never really understood why it is so easy to dismiss these other manufacturers. In fact, the Zuiko lenses from Olympus have long been regarded as some of the finest glass around.

I don’t know that I would say I take offense to this dismissiveness, but I guess I do. Back when I started shopping for a DSLR to move up from my Canon G5 point and shoot (a VERY capable camera I might add), I looked at Canon and Nikon. And then I participated in a test drive event Olympus sponsored. I took home an E-500 for a weekend and was hooked. Shortly thereafter, I bought an E-510 kit that included 2 lenses. Since then, I have created some stunning images that get rave reviews. I even put them up for sale, that’s how confident I am of the work. I have done headshots, portraits, landscapes, product photos, all with my E-510. None of my clients have complained in the least.

Why then is it time to upgrade? More importantly, why do I want an Olympus E-30? Well, it’s time. As noted before, I am looking to ramp up how much I shoot. In that respect, having a second body is always a good idea. Once I start my schedule of team photos, there is no way I can be out of commission if something goes wrong with my only camera. So this is indeed a primary driver.

My photography is continuing to evolve though, and this is really why I am looking to upgrade my camera. I love taking HDR pictures. Sadly, Olympus elected to not update the 510 firmware to allow for the kind of EV bracketing that is ideal for HDR captures. The E-30 is well suited to this, allowing a 5 frame, 1 sec burst that will be perfect for HDR. Overall, the upgrade in frames per second from 3 on the 510 to 5 on the E-30 should help with taking pictures of my daughter, as well as the various sports I take pics of during the summer (baseball, softball) here in Colorado.

The increased megapixels will be nice, but not necessary. The ability to interact with the Olympus Radio system for flashes would be nice too, but I already make do with Cactus triggers (and manufacturer flashes in general are way too expensive). Simply put, I am taking my photography far more seriously, and I want a camera that can keep up. Sure, I could switch systems to Canon or Nikon, but right now I don’t see the point. I think the Olympus E-30 will work just fine for me.

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Using a softbox

Natalie (by Chester Bullock)

In the past I have done a lot of do-it-yourself photography projects. And yes, that included a DIY Softbox. The results were acceptable enough, but after a short time the softbox looked like it had been taken out one too many times. As I continue to do more professional photos, I want to also have a more professional look when on location. Also, I like the better spread of a bigger box. That said, I picked up an inexpensive 16″ softbox from Cowboy Studio (they sell on Amazon).

It is priced quite reasonably, $35 at last check, and as you can see from the photo above, it delivers. I mounted my Vivitar 285 on the L-bracket and did a quick test session with my daughter. Once you get your flash dialed in (I think I need to get a light meter to make this faster), the results are great. I took a few pictures of my daughter with it, and am now quite comfortable using it. Next step will be to add a hairlight or background light (easy enough with my Cactus triggers and my other flash). In fact, thanks to a session I attended with David Tejada, I learned a couple of ways to position the box relative to the subject and also a bit about background lighting. Total sidenote, but I would recommend David’s blog and workshops to anyone.

In short, while making my own softbox was fun and interesting, it is hard to beat the 16″ Cowboy Studio 16″ softbox, especially given the price.

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Best Western Denver SW (by Chester Bullock)

I do product photography, and I do real estate photography. But when it comes to shooting hotels and resorts, it’s a mix of both.

The manager of the Best Western Denver SW (located in Lakewood, Colorado despite the name), saw my photos recently and liked my work. They are in the middle of a website redesign and needed new photos of the property since they have completed renovations recently. I went down one recent afternoon and took care of the shoot. By the end of the weekend I had presented him with the images I thought were keepers. He was extremely pleased and they should be showing up on the website after the new one is launched. And I’ll be going back for exterior shots once things green up here in Colorado.

Contact me today if you have photographic needs in real estate, products or portraits.

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Side Chapel at Mission San Xavier del Bac near Tucson, Arizona

I have now been a SmugMug Pro user since November. Prior to that, I used a competing site called Zenfolio (for one year). I fully intend to renew my Smugmug Pro site once it comes up for renewal. The key features they were lacking versus their competitors are now available (namely coupons and packages), but this is not the only reason I’ll still be here.

The one thing that continues to set SmugMug apart from the rest of the serious image hosting companies is their commitment to their customers. Sure, they are privately held with no debt load, so sometimes features are slower to appear than at a VC funded competitor. However, this creates an environment where they are only adding things that are essential to the Pro user, and they only do it if it really makes sense. No knee jerk reactions to odd requests, or doing things just because they can. The end result is an ongoing financially viable service that won’t disappear out of the blue someday (without warning no doubt). In fact, they also provide an easy to use and democratic method to submit feature requests.

The commitment to customers is carried over to customer support as well. They truly are fanatical about this. In fact, I think the only other company I have dealt with that is comparable is ExactTarget (an email service provider). SmugMug will respond to you extremely quickly via email for any support requests you might have. And they are actually pretty quick to respond on their message forums as well, although that is not the official channel (seriously, if you have an immediate support need, email, don’t go to the forum). The General Manager, Andy Williams, is generally the first person to respond to posts in the forum, and provides great insight for why items are or are not possible.

The last place that this commitment to customers is so evident is the creation of the SmugMug User Groups (SMUGs). These events are actually open to any photographer or videographer, but the conversations at times can be of direct benefit to SmugMug users (such as in the Denver meeting last December when feedback was solicited about the coupon and package systems). So many companies toss up a forum or a Facebook page and call it done. I love that SmugMug is sponsoring these in person gatherings. Paralleling my experiences with ExactTarget at Connections (I cannot sing their praises enough), a SMUG meeting is a great way to get feedback on your thoughts, as well as make your voice heard to the people who are really involved with this company. That in itself is priceless.

Customer service isn’t the only reason to stay with a company of course. The whole reason for having images hosted by a site like SmugMug is the ability to sell them. People who have purchased my prints have been quite pleased by the final product quality. Fulfillment by Bay Photo (one of two choices SmugMug Pro users have) has been flawless. When you couple this fact with the customer service commitment I see, that is the reason I do not need to look anywhere else – nor should you.

If you have been looking at similar services, or if you belong to one and have been thinking about moving, I would encourage you to take the SmugMug 14 day free trial. All features are active during the trial, so you will be able to get a real feel for how it will fit with your needs. You won’t be sorry you did.

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Lakewood Tigers baseball pitcher

I am very excited to announce that 2010 will be the year I begin offering team photography services for local youth sports organizations and teams. Just in time for the 2010 Jefferson County Junior Baseball League season, I have developed special package pricing that is more focused on value to the family, while providing great products that the athletes and families alike will cherish.

I am a local photographer who spent five years coaching in the Lakewood Junior Baseball organization, with my 5th year as head coach. It was always a challenge for me to coach while wanting to get great pictures of the kids. Now I am able to focus completely on getting great pictures of the kids, be it at practice, in a league game, or in a tournament.

For more information or to contact me with specific questions, please see the Team Sports Photography page. Every player deserves a great photo, and I will deliver that.

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Arjuni Photo Shoot

I love shooting hard-to-photograph items. I am getting pretty good at it. But this time, I really had my work cut out for me. Arjuni is a Denver purveyor of hair weaves. The owner came to me with what seemed like a simple request – take photos of roughly 27 samples for use on the new website. It was something of a rush job, because the grand opening of the site was two weeks out. On top of that, two other photographers had been tried beforehand, but could not deliver images to her satisfaction. Great, no pressure there.

I experiemented a bit with some different positioning and lighting, and then settled on something that seemed to work really well. The owner was pleased. I started getting comments like “Phenomenal work!” and “Thanks for all of your hard work. You’ve definitely captured some gems that I’m excited about!” Really, this is what it is all about. Sure, I get to make images that make me happy, on my own time, but when I am on the clients’ clock, I need to deliver.

That said, I really like doing product photography here in the Denver area. So far I have done some neat things and met very interesting people. I have started to see repeat business, which is a good measure of success I think. If you need a product shot, even if it is not a hard to photograph surface, contact me for a quote. I have no doubt I will deliver images you can be proud of, and ones that will help sell your product.

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