
Earlier this fall I had the opportunity to do a product shoot for a local soft drink company who was taking their product national in Whole Foods. Made from agave cactus nectars, these drinks are competing for shelf space with a whole host of competitors. The owner was rolling out new labeling and needed pics quick. He chose me because of my experience in shooting highly reflective surfaces, particularly glass bottles. To make the images more compelling, the owner wanted the bottles to look like they had just come out of a cooler. Fair enough, but now I needed to figure out how to do it.
The solution turned out to be fairly simple. I set the shot up as I normally would for shooting glass, got the lighting right, checked some test images and liked what I had. Then I used a common household spray bottle filled with water (nozzle set to a fine mist) and sprayed the bottles lightly. The water beaded up naturally, and I started shooting. It was actually pretty simple.
A couple of things to note when doing this:
- If you need to respray them, let them dry first. Towelling the bottles off can result in torn labels.
- Use extra caution if the labels are printed on regular paper. Let the water sit too long, and they will change color.
- Take your time. Rearrange the items as necessary, let them dry completely, then rewet as needed.
But Wait, There’s More…
Just a couple of weeks ago I came across some very cool photos of spiderwebs that had waterdrops on them. The photographer, Sam Pierson, had gone out one morning after a foggy night and got some incredible shots (link above goes to a great gallery of them). When I saw this, I thought “those are awesome, I want to make one”. I don’t have any good webs like that in my area (at least I haven’t found any), but when I do locate some, I plan to take my spray bottle with me and see if the same principle can be applied to the webs. I think you can make the wet look whenever you want.
Special thanks to Sam for letting me use his picture here. You simply must check out his gallery, he has some outstanding images there. For more information about Oogave Soda, check out their website.
















Review: Helicon Focus vs CombineZP
I have been using Helicon Focus off and on for a little over a year now. I love the program. I haven’t really tried depth of field stacking in Photoshop, mainly because the results of Helicon Focus are so good. If it is good enough for scientific work, it’s good enough for me. However, I recently became aware of a free tool similar to Helicon, called CombineZP, so I had to give it a try.
Call me crazy, but even though Helicon Focus has a retail price of more than $0, I find it to be a superior program. The interface is easier to use, there are export plugins from Adobe Lightroom, and the resulting product, in my mind, is superior. I created the images below using the 2 programs, each using a stack of 4 shots from my Olympus E-510 to create the resultant image. You be the judge, but I know I will continue to use Helicon Focus.
CombineZP

Helicon Focus
