Congrats to the January Winner

Congrats to Kathleen D., the January winner of a $50 gift certificate to my online art gallery. She was selected at random from all of the fans of my Facebook page. More contests are coming, so become a fan today and you will automatically be entered to win.

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Golden Gate in HDR, as show by Chester Bullock

This HDR image came out far better than I expected it to in the wind and water vapor surrounding me. It has been chosen as an editor’s pick at HDRSpotting.com, and HDR afficionado website. And now you can hang it on the wall of your home or office by placing an order from my online gallery. White space has been added to the gallery version, allowing proper cropping for standard prints and frames.

Also, if you like my work, consider becoming a fan of my Facebook page. On January 31, I will select one fan at random to receive a $50 gift certificate to my online gallery (for a print purchase only, not for session fees).

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Ice
Each year about this time I wrestle with what should be an easy choice – do I keep my flickr site and whatever is serving as my art gallery, do I drop flickr, do I drop the art gallery? I go through this for about a week before deciding to leave things as they are. I wonder who else goes through this?

Here is my most recent rationalization for maintaining the status quo this year.

A. flickr is crazy cheap. $25/ year to maintain unlimited uploads, the price is ahrd to beat.

B. flickr makes sharing easy. Add in the Greasemonkey scripts for AllSizes and sharing on forums, etc is super simple.

C. the community in flickr is second to none. They definitely have nailed it in terms of getting exposure for your photos within the flickr world.

I am going to keep my art gallery host also, for the simple reason that I just started it and it doesn’t expire until next November. I stopped using Zenfolio (and would not recommend it to anyone) and started using SmugMug. I’ll talk about that decision in a future post.

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On Location in Longmont, Colorado

Making a glass
This past weekend I was tasked with taking photos of the Community Carbon Project, a Boulder/ Longmont – based company that is recycling glass bottles and making useful products out of them. This was part of a website development project I am doing for them. I wasn’t sure what the lighting situation would be like, so I brought some umbrellas, my Cactus trigger, and my homemade softbox. Turns out I didn’t need the umbrellas. I set the softbox on my Olympus flash, connected it to the Cactus wireless trigger, and kept it camera right and on a medium setting, 7.7GN if I recall correctly.

Heating glass From there it was a matter of aiming it at what I was shooting. I got the guys in action, turning Red Stripe beer bottles into drinking tumblers, and also some action at the furnace where they heat the glass to a working temperature.

I also tested a filter that a generous DPReview person let me try. It did not get the desired effect though, so I will be sending it back to him and instead sending a UV filter to a company called Aura Lens who can insert one of their Didymium filters into the frame. If I am going to be shooting glassblowers as much as I think I will in the near future, it is a sound investment.

I really enjoyed being in the shop, watching these artisans do their thing. We are all excited at the potential their business idea has, and I should have the website done this week or next for you to order items from. They are making some seriously cool, functional items. And I get to document it all, including all the product photos. Not a bad gig at all.

Also, a special thanks to Ryan, Angelo and Regist for putting up with me while I was there. They let me try making my own glass. I failed miserably, and they were great about it.

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Lakewood High School Cheerleaders 2008-09
Like any photographer with an online presence, I wanted to be able to sell prints of my images online. I have a number of images that I think are worthy of hanging on the walls of homes and businesses (corporate art I guess), and I also have portraits that I have done of various people (mainly my daughter’s senior pictures and the Lakewood High School Cheerleaders). In either case, it is the ultimate convenience for my customers to be able to review their images online, tell me if they want any of them retouched, then be able to order the final versions in whatever dimensions or on whatever material (canvas wrap, coffee mug, etc) they want.

I took these things into consideration when I started looking for an online gallery source. I could have done it myself, using Gallery2 or similar software, but I honestly didn’t want to handle the back-end pieces of fulfillment. A one stop shop was a good idea. So I researched the different sites out there. Smugmug is widely regarded as the market leader. The there is Zenfolio and a bunch of others.

I have friends on Smugmug, and I never really liked how the sites looked. I know customization is possible, but I was hoping to avoid that. Zenfolio, however, had a nice, clean interface. The ordering process was straightforward. They let me do coupons and all that sort of stuff. The only thing they were lacking was digital downloads. This is a pretty big deal in this day and age. A number of other sites offer this. As recently as July, they indicated this was a priority and they were working on it. As recently as 10/28 though, they made it crystal clear that we won’t see it in the immediate future.

Instead, Zenfolio is putting their development focus on allowing comments on photos. I have a couple issues with this.
1. Zenfolio is not Flickr. It is a commerce site. Comments are secondary in nature to the sales process.
2. Digital downloads offer immediate $$ returns. As a photographer looking to make money from my images, this is a priority to me.

I have already lost at least one sale that I know of because I didn’t have an immediate download option available. And that was someone who took the time to let me know. How many opportunities have their been that I was not aware of?

It’s my own fault really. I have this need to be different, and give “new guys” a chance even when it might not make the most sense. I have learned my lesson though. I am signing up for my Smugmug free trial today and will start using their tools to migrate my stuff away from Zenfolio. The good news is that the “Print of the Week” entries will now be available as digital downloads, so you can use them as a desktop, print them for yourself at home, or however you want to use it. Commercial licensing will also be available if you want to use one of my images for an ad campaign or something similar. I’ll let you know as soon as this is available.

By the way – if you have found this post and are a dissatisfied Zenfolio / Flickr / Picassa / Phanfare / Yahoo / Photosite customer, go to smugglr.smugmug.com and see how you can migrate your stuff to Smugmug, and save significantly on your first year with them.

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Artist vs. Photographer, Part II

Ferringway #8
Last week I wrote about “Switching From Artist to Photographer”. The article was intended to be answer to a friends question regarding portrait photography and how I can “flip the switch”. This applies equally in real estate photography.

What? Where does real estate fit into this? Simple – this is another area where you have to deliver what the client wants, not your artistic impression of what you saw. This really hit home in a recent Photography For Real Estate entry by Larry Lohrman. The subject of the entry was “How to Survive in a Competitive Environment“. Along with the usual good advice, Larry quoted a comment from a Flickr PFRE group discussion by Fred Light (still haven’t watched his DVD yet). A piece of the quote:

For Realtors, it’s not about ‘the art’, ‘the creativity’, ‘the process’, and you can’t base your pricing on something Realtors don’t care or know about. The only people that care about that are the photographers, OTHER photographers and those who really appreciate photography as ART.

Realtors care about PRICE. Realtors care that the photos look GOOD and look better than what THEY could take. It’s really that simple. As long as a photographer (pro or semi pro or amateur) takes BETTER photos than the Realtor could themselves, they will get hired.

Price discussions notwithstanding, Fred hit it squarely on the head. Photographers really are the only ones who care about the artistic side of an image when it comes to real estate or portraits. The buyer (agent/ family member) who commissions you just does so because they believe you can do a better job than they can, or than other people they know can. It’s that simple. So make sure you give them what they want, charge fairly for it, and you shouldn’t have any problems.

All of life should be this easy, no?

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Book Cover
“The Art of Black and White Photography”, by Torsten Andreas Hoffman, is the latest Rockynook book that I have read. So far, only one Rockynook title has disappointed me. “The Art of Black and White Photography” was definitely not a disappointment.

Black and white photography has interested me for some time, but I haven’t really found the right subjects for it. When I thought I had a good candidate, it turned out to be much better in sepia than b&w. This book went a long way in helping me to understand what subjects woiuld do better in black and white. It also presents a wealth of knowledge about using modern tools (Photoshop CS2 was quoted) to refine images and get the most out of the exposure. The insistence to shoot in RAW was spot on. I learned this the hard way, but if you haven’t gone to that exclusively yet, you need to.

While the title of the book implies exclusivity to B& photography, there is still quite a bit of useful information that crosses over to the color world also. Since I plan to keep shooting color and selectively convert to black and white in post processing, I was happy to see this. Every aspect of photography is addressed – landscapes and portraits, motion and still life, day and night exposures, you name it. Extensive sections cover Genres and Concepts as well as Composition Rules. Perhaps most useful to me (and well worth the price of the book) is the last section covering “The Digital Darkroom”. I love getting useful Photoshop tips, and this book does not disappoint. Hopefully future editions will also include Lightroom tips.

“The Art of Black and White Photography” is one book that I could not put down once I started reading it, and I cannot wait to apply some of the concepts I learned.


With winter fast approaching (it certainly feels like it this morning!), I selected this photo for the print of the week.

Taken in Lakewood, Colorado last January, this windmill had the perfect backdrop of a partly cloudy sky and the early morning light of day. I love it when I come across a striking seen such as this. I love it even more when it happens so close to home.

As with all “print of the week” entries, this artwork is on sale through next Friday, at which time prices will go up. Take advantage now by visiting my Art Gallery.

If you are interested in a download for personal printing, or a commercial rights license, please contact me directly.

Have a good weekend.

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Another Senior Picture Candidate
The deadline for turning in the headshot for inclusion in the Lakewood High School 2008/09 Yearbook is October 3. Auto submission of the shot is something I plan to do for seniors I take pictures of. In all reality though, you don’t need to get the bulk of your pictures taken until February or March. This gives you time to pick out the ones you really like and have them back in time to mail out with announcements. It also gives you a chance to take some outdoor winter or late fall shots if you like those sorts of backdrops.

While I haven’t started officially doing the senior picture thing as a business, I will be taking portraits of the Lakewood High School Spirit Squad (cheerleaders) today. This will be the first step of creating the business, as I will be offering pictures for sale via my new Zenfolio site, where I will also offer selected prints available for purchase. These prints will be chosen from the various landscape and other pictures I have taken over the years. Hopefully other people will like them as much as I do.

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P8082018-flickr888 Yesterday I talked about part of a conversation I observed recently. This is how the second part of it went.

The altruistic one starting to talk about stock photography and what it takes to get accepted, etc. as she is having problems getting accepted. The veteran then started on about how microstock is killing the industry, and that, by taking part in it, submitters to microstock sites are thereby killing the industry.

Being someone who has photos available on microstock sites, I cannot say that I agree with him.

I saw part of an interview with Moby the other day. He said several things I agreed with (bear with me, I am getting to the point). One was a response to a question about commercializing music (putting it out there in the equivalent of stock photography for anyone to use as they see fit). The response was one that I have thought in regards to my own attempts at microstock – it is far easier for new artists (and photographers are artists) to get noticed on sites like this than for the traditional methods.

I don’t know any art directors, I barely even know anyone at an ad agency. I also know that a lot of businesses out there don’t use an ad agency, and microstock sites are an effective means for them to get images for advertising, websites, brochures, etc. Heck, we use art from microstock sites where I work for my day job. My microstock budget for the whole year would be destroyed if I paid for one or two pictures the traditional way. That just isn’t going to work.

I am happy to go the microstock route for images that fit into the “stock” category. That said, I have other images that I consider to not be stock. These would be more in the vein of “fine art” types of images. These are the ones I will put into my “Prints for Sale” category and hope that someone buys one. Or perhaps I’ll print a collection of them and see about having them put on display in a local coffee shop. They are my images, and I can market them as I see fit. I have never been one to follow the norm anyway.

One last thought from that Moby interview. Someone asked how he feels about non-Vegans. His answer might sound PC, but I think it was genuine. He essentially said that being Vegan works for him, but he recognizes it doesn’t work for everyone. I think this debate about microstock really is the same. Can’t we all get along?

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