Snowflakes – The Sequel

I spent some time the other night working on the snowflake images a bit more. Here is a series of keepers (at least in my mind). All shot on my back patio here in Lakewood, Colorado. I actually thought about taking more during a more recent storm, but it was so cold when the snow was falling, the flakes were really small.

And don’t forget that you could win a $50 gift certificate to my online gallery by becoming a fan of my Facebook page. One fan will be picked at random on 1/31, so become a fan now!

Enjoy.

Colorado Snowflake macro photo by Chester Bullock

Colorado Snowflake macro photo by Chester Bullock

Colorado Snowflake macro photo by Chester Bullock

Colorado Snowflake macro photo by Chester Bullock

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Snowflake Macro by Chester Bullock
To see a larger version, or to order a print, click on the photo above.

This macro snowflake image was shot on my back patio after a rather dry snowstorm in December of 2009. Shot using my Olympus E-510, 40-150 Zoom lens, and EX-25 extension tube. More will be coming from this series. The way these crystals form and cling together is remarkable.

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Helicon Focus Flower Macro Composite
I have been using Helicon Focus off and on for a little over a year now. I love the program. I haven’t really tried depth of field stacking in Photoshop, mainly because the results of Helicon Focus are so good. If it is good enough for scientific work, it’s good enough for me. However, I recently became aware of a free tool similar to Helicon, called CombineZP, so I had to give it a try.

Call me crazy, but even though Helicon Focus has a retail price of more than $0, I find it to be a superior program. The interface is easier to use, there are export plugins from Adobe Lightroom, and the resulting product, in my mind, is superior. I created the images below using the 2 programs, each using a stack of 4 shots from my Olympus E-510 to create the resultant image. You be the judge, but I know I will continue to use Helicon Focus.

CombineZP
 CombineZP Comparison Shot (by Chester Bullock)

Helicon Focus
Helicon Focus Comparison Shot (by Chester Bullock)

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First Freeze

First Freeze
Rained all of the preceding day, followed by freezing cold temps overnight. Resulted in nicely frozen water drops that started to thaw the next morning. Backlit by the morning sky, before the sun crested the roof of our house.

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Canvas Wraps

Sunlight Mountain Resort
I was waiting to write today until the canvas wraps I ordered from Canvas On Demand had arrived. I have always wanted to do a canvas wrap of a picture, but never really knew which one to do.

Union Meadows at CopperAs it turns out, we are decorating one room of our house in a ski theme, and the two pictures here seemed perfect for it. So last week I sent the pics off to Canvas On Demand and waited anxiously. Once I got the shipping notice on Tuesday, I knew they would arrive today.

They come packed very well so nothing gets damaged in transit. Standard shipping is via FedEx ground, but you can pay more to expedite it. The quality of these images is superb. After having these two made, you can be sure I will be doing more. Maybe some small 8×10’s of my flower macros. I could even add a water-color treatment in Photoshop first before I send the file in. I’ll bet those would look really sharp. I am glad I bit the bullet and did this. You should try it too!

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Light tent with cotton/ polyurethane laminate screens
For my PVC Light Tent, I was originally using posterboard for a backdrop and some old white sheets for the “curtains”. Last week I went to a local fabric shop (Denver Fabrics, not the same as the Denver Fabrics online – long story) looking for some white ripstop nylon or sport nylon, along with black and white muslin. All they had was the white muslin. So I looked around the store a bit, and found some black poly poplin suitable for a backdrop. And then I found some cotton with a polyurethane laminate that is intended for people making their own baby diapers. It seemed suitable to me, so I got enough of it to make side and top curtains for the tent. I also got some velcro to use as attachment points.

Once home, I placed velcro squares along the top left and right PVC pipes to hold the side curtains up. I allowed for a little bit of crossover to the lateral pipes, in order to make sure the vertical PVC was not visible in any reflections. I had already had the cotton laminate cut to the rough dimensions I needed, so I hung one corner up, attached velcro in the remaining appropriate places, and trimmed the excess off the bottom. Did the same on the other side, then the top and was all done with the curtains. Had enough excess that I should be able to use the material in a larger softbox I am planning to build.

After this I mounted additional velcro to hold the backdrops up, and applied velcro to the backdrop material (the black poplin and white muslin). After a few test shots, I decided to add the front curtain, and cut a large + in the front curtain to put my lens through. All in all, things have worked pretty well in there. Here is a sample photo.

Hooray Beer

I still need to work out lighting and white balance, but with a little bit of time, those should work out pretty easily. More difficult is going to be perfecting the underlighting of objects to really give them some pop. I will be experimenting with that this week.

Oh, some people have been asking about these beer bottle glasses I am taking photos of. They will be on sale soon, and I’ll be sure to post a link when they are. Cheers.

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The Strobist DIY Light Tent

Strobist Light Tent in Action
My article on Do It Yourself Light Modifiers has proved to be quite popular. Bouncing light around large spaces is all well and good, but what about when you need to light one item really well. Say, for a product shot or something? Enter the Strobist DIY $10 Macro Photo Studio. That’s just a fancy way to say light tent. The photo above is one I created this past weekend. Once I had all the materials, it took me all of about 30 minutes to complete. I am not going to recreate the directions (printing the Strobist article is perfect), but I did want to explain what I did differently.

They recommend using a minimum of a 12×12x12 box, and leaving the top flaps on to control the light more. My box was something like 18×12x12 or something (I didn’t take measurements). I wanted it to be deeper though, so I taped all of the “flaps” together to extend the depth of the box (a little Duct will do ya). I then left one inch or so remaining to frame the 3 “windows”. Instead of tissue paper, quite by mistake I bought craft mylar (I think this might be really similar to the mylar drafting film I couldn’t find for my softbox project). It cuts really easily, and seems to be more durable than tissue paper would be. And it diffuses the light REALLY well. I used white duct tape to increase reflectivity inside the box. It definitely looks homemade, but the results it produces are just as good as the light tent I used in a previous job that cost 15x as much as this one (I already had the tape and box, so my out of pocket total was $4 for two sheets of poster board and the mylar film).
Remote Control Helicopters
This photo (click for larger version), of one of our Air Hogs Havoc helicopters and our Revell Fire Strike, was shot in the light tent at my house in Lakewood, Colorado. I used my Olympus FL-36 flash, fired remotely with a Cactus trigger, at 8mm and 3GN. The results are quite pleasing and work well enough for my needs. My next test will be to use it with static light instead of a strobe, and taking a photo of something on the black background instead of the white. For $5, you sure can’t beat this. In fact, I am already thinking of making a MUCH larger one, maybe out of a refrigerator box, to use for larger items, like tires and wheels. Hmm…

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Snowflakes

Snowflakes
I am finding it difficult to properly focus on snowflakes with my camera. I think the key is going to be to use an object with a solid, dark color and let the snowflakes fall on that. The photo above was taken with snowflakes on my car. This snow was better than the last storm, as it was powder-dry. The last storm the snow was very wet and clumpy. On the flip side, the flakes were probably bigger. I do love winter though, and I am enjoying the winter photo experiments I am trying.

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Macro’s – A Forgotten Pleasure

Yellow Jacket
This yellow jacket was flying around in my office the other day, and not doing a good job of it. I decided he would be a good subject for a macro, so I put a coffee cup over him. Not sure how long that cup had been sitting in my office, but it must have been awhile. If you look close, you can see all the dust on this thing. But I was happy to have a chance to do a macro of one – I don’t like messing with them when they are alive.

It also gave me a chance to try off camera flash on a macro, using my Cactus Wireless triggers. Always like to get some practice in.

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Home made soft box
Photo by Karl Zemlin
Ever since I got an external flash for my Canon Powershot G5, I have been researching and building home made light modifiers. Some are more elaborate than others, some look better than others, but they have all had the desired effect. Here is a rundown of the ones I have tried, with links to instructions (some might go to videos). The DIY softbox above is one I have not made yet, but you can get the plans here. [edit - on 12/14/08 I made it and then did a review]

Milk Jug Diffuser (by vortechs2000)Milk Jug Diffuser

The milk jug diffuser is one of the simplest ones to make. Lop off the end of a milk jug, slot the edges so it will wrap around your flash head, and presto chango – instant diffuser. Not as pretty or professional looking as a Gary Fong Lightsphere, but it will get the job done. I haven’t made one of these yet. We have our milk delivered, and their jugs are much heavier gauge than the store bought ones. Hmm, that might make for better diffusion though. I’ll have to see if they are so thick as to not be pliable enough to fit on the flash.

Finished Product (by Muzzlehatch)MuzzBounce™ Ghetto Flash modifier

The MuzzBounce™ Ghetto Flash modifier is similar to the milk jug diffuser in that it uses a translucent jug (mine was from windshield wiper fluid). The effect is different though. It is designed to redirect (bounce) the light from a flash, while at the same time diffusing it. It works quite well in portrait and macro photography. I built my first one shortly after I got my new Olympus E-510 and FL-36 flash. My wife made a comment immediately, something about spending so much money on a camera only to put a jug on it. I thought it was a funny comment, but it didn’t stop me from using it around the house. Certainly doesn’t project a professional image though. Not really sure what the “professional” (store bought) equivalent would be, but if you spent enough time on this one, you could make it look professional.

DIY Reflector-Diffuser

I have a slightly different version (cannot find the site it was on now) of the DIY Reflector-Diffuser. It is on;y slightly different, and the results are pretty much the same. I like it so much, I keep it in my camera backpack all the time and use it fairly frequently. Construction is very easy, using craft foam from a hobby shop. The DIY Reflector-Diffuser site also includes plans you can print and use as templates when cutting the craft foam. This is a “must make” for the do it yourself light modifier. Other alterations I have seen include cutting a honeycomb pattern (with large hexagons) into the modifier to let more light escape vertically.

A Better Bounce Card

This was one of the first thing I tried. A simple bounce of light from my flash, that allowed enough light loss to spread the remaining light out properly. It worked OK, but I certainly liked the results from my Muzzbounce better. The plans for A Better Bounce Card have been updated to use craft foam. I think the original may have been something else, as simple as copy paper. It certainly served it’s purpose though.

The Finn Bounce

For those of you with a P&S camera that has a pop-up flash (or even a DSLR like my E-510 that has a pop-up), the Finn Bounce is an easy to make light reflector (bounce card) that, given it’s size, has a tremendous impact on the quality of your pics. Don’t take my word for it, find a piece of cardstock, rubber cement and aluminum foil, then follow the 9 easy steps to make it. You will be glad you did.

This covers the ones I have tried. Below is a list of ones I want to try, along with the softbox that led this article. Hope this has been worthwhile to you.

Miscellaneous Others I Have Not Tried

Here are some highlights of projects I plan to try at some point:

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